The Shapes at the Zephyr Lounge

Featured Article

The Shapes at the Zephyr Lounge

Review

Readers will recollect how in 2016, Leamington's favourite punk band The Shapes reconvened from around the world to celebrate their 39th anniversary. Rather more conventionally, (not a word many reviewers  of the band have ever deployed), the band did it all again recently for their 40th.

 

On Friday 4th August 20127, a four piece version of the band (sadly guitarist Steve Richards was unable to join in due to personal commitments) played Leamington's Zephyr Lounge. All four being from the classic lineup: Seymour Bybuss (Ben Browton) on lead vocals, Brian Helicopter (Gareth Holder) on bass & backing vocals, Tim Jee on guitar & drumper (sic) Dave Gee. How many other bands with such a long story could do so I wonder? For those with an interest in how the Shapes dress, Mr Helicopter was channelling steam punk, Mr Jee was somewhere between Edward VII and 1960s Carnaby Street, Mr Gee came in a batman motif suit  & Mr Bybuss was responsible for his own Shapes dress. And I mean dress.

Support came from top Leamington troubadour Huffy & London's Monkish: both seasoned Shapesupports. Huffy played two sets either side of Monkish: his usual blend of wit, social commentary & brevity, all in all a suitable match for the headline act. A little moment of magic was when he started his final number, a cover of "Waiting for the Man" and as sundry Shapes stole onstage behind him & joined in, it mutated into a new & wonderful form.

From the start of the Shapes' set (as ever was, "Let's Go to Planet Skaro" led into "College Girls" from 1979's "Part of the Furniture" EP), the band had the audience in the palm of their hand. They came from all over, many making long trips for this comparatively rare gig. It was great to note the presence of several members of other bands which will be joining the Shapes shortly on the forthcoming "Alternative Sounds" compilation being put together by Coventry Music Museum.

 

Unsurprisingly, the songs were reworked slightly to address the absence of one guitar part, which gave Tim a number of opportunities to demonstrate his skills and also Ben's tweaking of some lyrics. Both were most successful. Sticking to those songs they had released over the years, the set passed all too quickly: even counting a seven minute plus "Blast Off!". As the band themselves point out, their playing these days is in fact superior to back in their heyday around 1980: infrequent performances & intervening large oceans and continents between their current abodes notwithstanding.

 

Will Leamington see them again? A lot of us surely hope so.

  Social media   

  Share

Related articles

It has been quite a few weeks for legendary Leamington band The Shapes. With customary disdain for convention, they have been celebrating their 39th ...
 [1 image]

As you'll know from various earlier reviews, both of Street Arts Project releases & their associated launch gigs, I thoroughly support this ...

 [1 image]

Reviewing a band's live performance when you saw them only a fortnight earlier presents its problems of finding what new to say, but given the ...

 [4 images]

One of the things I do like about the musicians we feature is their sense of community and personally a fair percentage of artists whom I review ...

 [1 image]

It's always great to catch up with John Rivers about what he's been up to at Woodbine Street Studio in Leamington: though he's been so busy that ...

 [1 image]

Thankfully, reactions to all forms of art are by their nature subjective. That is very liberating for me as I can concentrate my reviewing ...

 [1 image]

It's been much more than a year (nearly two in fact) since our last Kenzie Webley review: it was in fact for her debut album ‘All of the Fallen ...

 [1 image]

There are (I'm glad to say), many great original musicians around currently in our locale & one characteristic they share is producing a ...

 [1 image]