"Interlude 1" and "Turner Michael's Hunting Rifle" by dogmarket
Review
The release campaign of dogmarket is picking up momentum as they've just stepped up to a dual simultaneous single release with "Interlude 1" and "Turner Michael's Hunting Rifle" appearing side by side, though given that Thom also describes them as "Un-alike in Dignity", probably not necessarily hand-in-hand.
It's been about a month since "baby blue" so hopefully you've managed to process that one to the fullest extent possible and they obviously feel confident that their fan base can double their engagement resources.
I haven't yet mentioned that dogmarket self describe as "SADGAYELECTRONICA" which might help finding an entry point to the music, though in fairness "Interlude 1" is characterised by a (processed) guitar sound as much as by chips and wires: at haunting atmospheric piece which indeed lives up to its title: it feels like it has a home in some wider context: a film soundtrack would probably be grateful to welcome it aboard.
"Turner Michael's Hunting Rifle" fits the mission statement more closely: it's a denser and more obviously generated but ironically, it's also got quite a jaunty pop feel with a friendly keyboard hook prominent amidst the layers of sound. Since "Interlude 1" has a stately dignity to it, I suppose it's possible that defining the obvious contrast between the pair in terms of "dignity" may refer to this catchiness, but I'd certainly not class it as lacking in the quality. In fact (after I'd played it a few times), Thom revealed that the sound inspiration was They Might Be Giants: which neatly accounts for why I was attracted to it.
As for the subject matter (or perhaps target?) I found (it's not part of social media I'd normally wander through) a Michael Turner who posts stuff encouraging youngsters to become snipers. Lovely. I hope it's about him rather than a distant relative of mine who didn't fetish firearms.
Discussing the duo with Thom after writing most of the above, their insights clarified that the distinction was more about personal perspective: one tending towards personal vulnerability and opening up emotionally, the other "more upbeat and less prima facie depressing": perhaps offering contrast to some of their other work? At any rate, if one chooses to pair releases, then a juxtaposition of sensitivities of such contrast is an effective one: were dogmarket a more commercially orientated project than I suspect is the case, it's a good shop window for creative range also.
