Kirsty Clarke

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"Don't You Close Your Eyes" by Kirsty Clarke

Review

Today I can report to you on the new single by Kirsty Clarke, called "Don't You Close Your Eyes" (hopefully you'll have read my review of her "Greatest of Partners" from January and enjoyed "Suicide Mission" on ‘Hot Music Live Presents Volume Three" too).

As with those previously mentioned songs, this new one packs quite an emotional punch but interestingly without feeling it is be necessary to turn the volume too high: this is passion held on a tighter leash & this itself contributes to its power.

The arrangement is her characteristic post punk edgy sound, but endowed with echo & given space for that to work its magic in. Her vocals match the backing: restrained, even anxious at times, breathy & intense to start with & although she lets go a little, thankfully there are no vocal gymnastics to spoil the sense of truthfulness.

This is an object lesson in taste & proving that "less is more" if you have the confidence to go down that route & the integrity to write from the heart & not require bogus emotion to be added in the studio. "Indie Mama" at her best: this artist doesn't write bad songs.

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"Greatest of Partners" by Kirsty Clarke

Review

Welcome to another of my series of reviews of Coventry & Warwickshire musicians whom I hold in very high regard yet have hitherto failed to review in "Hot Music Live"

Today I'm really delighted to be able to tell you about a new upcoming release by Kirsty Clarke namely "Greatest of Partners" (coming soon to Spotify).

Kirsty has built a long and honourable reputation especially as a really powerful solo live act and recently has been attracting yet more attention as part of the duo BERHN: a band I am sure will be gracing the pages of HML before much longer too. (Check them out at https://www.facebook.com/BERHN.Music/)

As an indicator perhaps of just how good she is & how popular, in the recent Hophouse Singer/Songwriter competition hosted by Sam McNulty at Millsy's in Earlsdon, from out of a very substantial entry (heats took weeks to deal with the numbers) and very strong field indeed (including several "Hot Music Live Presents" artists), Kirsty finished second to the eventual winner, HMLP's own Ace Ambrose.

And so to the track in question. Kirsty enjoys the soubriquet "Indie Mama" and indeed brings a spiky, uncompromising committed approach to her writing & performing. However the styles one hears in the song also encompass moments of balladry, post-punk skews and gothic textures (which latter do reflect the general tone of the lyrics, which are pretty intense, the subject being quite easy to deduce from the title). The one category quibble I have is that, pre-release, I listened to the song on a private Soundcloud page which has tagged it as "Ambient': I'm afraid if someone forced me to apply a single label, it's not the first one which sprung into my mind.

All in all, the recording is beautifully balanced (credit to producer Jason Edwards): the arrangement perfectly complements the words without distracting from the central vocal performance.

Kirsty is part of this golden generation of distinctive writers & musicians we are so lucky to have among us at present: totally committed to telling us something she feels important for us to hear, in a way which owes nothing to another voice. It's authentic, it's powerful & boy does it leave an impression.

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